| Lyra Hill, Uzi's Party, 2017, 26-6-2020 |
| Lyra Hill, The Mystic, 2009-11, 25-6-2020 |
| Margaret Rorison, One Document for Hope, 2015, 23-6-2020 |
| OJOBOCA, Come and dance with me, 2012, 20-6-2020 |
| Karel Doing, Rêve Rive, 2003, 19-6-2020 |
| Ross Meckfessel, A Century Plant in Bloom, 2017, 18-6-2020 |
| Zachary Epcar, Life After Love, 2018, 17-6-2020 |
| Eva Kolcze, Facing The Waves, 2016, 16-6-2020 |
| Mike Stoltz, Under The Atmosphere, 2014, 15-6-2020 |
| Tzuan Wu, Stargazing, 2017, 12-6-2020 |
| Rikkí Wright, A ritual of sisterhood, 2019, 11-6-2020 |
| Lana Z. Caplan, Patches of Snow in July, 2017, 10-6-2020 |
| Tinne Zenner, Arrábida, 2017, 4-6-2020 |
| Dan Browne, Palmerston Blvd., 2017, 26-5-2020 |
| Maria Magnusson, Patterns of Light and Shadows, 2017, 25-5-2020 |
| Maxime Hot, Cactus Raptus, 2018, 23-5-2020 |
| Jonah Primiano, Driftless, 2019, 22-5-2020 |
| Felicity Palma, Medusa and the Abyss, 2019, 7-5-2020 |
| Ben Balcom, Garden City Beautiful, 2019, 5-5-2020 |
| Jodie Mack, Hoarders Without Borders, 2018, 2-5-2020 |
| Emily Chao, No Land, 2019, 30-4-2020 |
| Madi Piller, Into the Light : The Film Resistance, 2016, 28-4-2020 |
| Gautam Valluri, Buried in Light, 2016, 25-4-2020 |
| Samuel M. Delgado & Helena Girón, Sin Dios ni Santa María, 2015, 17-4-2020 |
| Constantin Jopeck, Craeria, 2020, 15-4-2020 |
| Mary Helena Clark, The Glass Note, 2018, 12-4-2020 |
| Nour Ouayda, Towards the sun, 2019, 8-4-2020 |
| Louise Botkay, Vertières I II III, 2014, 7-4-2020 |
| Eva Kolcze, The Image in the Stone, 2019, 3-4-2020 |
| Karel Doing, The Mulch Spider’s Dream, 2018, 1-4-2020 |
| Edwin Rostron, The Asphodel Phases, 2013-19, 30-3-2020 |
| Talena Sanders, Between my flesh and the world’s fingers, 2018, 29-3-2020 |
| Caspar Stracke, Sad Sack, 1991, 27-3-2020 |
| Ross Meckfessel, The Air of the Earth in Your Lungs, 2018, 20-3-2020 |
| Sebastian Wiedemann, Los (De)pendientes, 2015-16, 11-3-2020 |
| Ross Meckfessel, The Golden Hour, 2014, 28-2-2020 |
| Ross Meckfessel, Gita, 2012, 27-2-2020 |
| Deborah Stratman, "Village, silenced", 2012, 25-2-2020 |
| Zachary Epcar, Under the Heat Lamp an Opening, 2014, 11-2-2020 |
| Ignacio Tamarit, In Film/On Video, 2018, 9-2-2020 |
| Mauricio Freyre, Movimiento Continuo, 2018, 7-2-2020 |
| Mauricio Freyre, A IS CID, 2017, 6-2-2020 |
| Talena Sanders, Reasonable Watchfulness, 2018, 4-2-2020 |
| Emily Chao, Chive pockets, 2017, 2-2-2020 |
| Emily Chao, Bruce Takes Dragon Town, 2015, 1-2-2020 |
| Mariana Caló & Francisco Queimadela, The Urgency of Sleep and the Cosmical Dome, 2011, 17-1-2020 |
| Audrey Ginestet, Spring yes yes yes, 2012, 16-1-2020 |
| Jonathan Schwartz, Winter beyond winter, 2016, 15-1-2020 |
| Nick Collins, Snowfall and after, 2017, 14-1-2020 |
| Colectivo Los Ingrávidos, Luvina, 2019, 13-1-2020 |
| Leandro Varela, La Señal Cósmica, 2018, 30-12-2019 |
| Mary Helena Clark, By foot-candle light, 2011, 22-12-2019 |
| Bruno Delgado Ramo, Reel in colour #11, 2019, 18-12-2019 |
| Elsa Brès & Paris Fessart students, Barricade, 2019, 14-12-2019 |
| Nicholas Bertini, Nuvole, 2019, 10-12-2019 |
| Diana Sánchez, Dorothy, 2019, 6-12-2019 |
| Jacob Dwyer, Donovan Garcia, 2016, 4-12-2019 |
| Félix Fattal, Je me souviens de Sunderland, 2017, 2-12-2019 |
| Azucena Losana, Tierras del Mar, 2019, 28-11-2019 |
| Talena Sanders, Tokens and Penalties, 2012, 26-11-2019 |
| Talena Sanders, Prospector, 2015, 25-11-2019 |
| Samira Guadagnuolo, 202, 2017, 14-11-2019 |
| Elena Pardo, Tierra, 2005, 13-11-2019 |
| Maureen Selwood, Hail Mary, 1998, 11-11-2019 |
| Maureen Selwood, Pearls, 1987, 10-11-2019 |
| Maureen Selwood, The Rug, 1985, 9-11-2019 |
| Maureen Selwood, Odalisque, 1980, 8-11-2019 |
| Vincent Guilbert, Junko, 2015, 3-11-2019 |
| Lee Ranaldo, Notebook, 1991, 2-11-2019 |
| Charlotte Clermont, Plant Are Like People, 2018, 1-11-2019 |
| Georges Rey, Triptyque, 1978, 31-10-2019 |
| Charlotte Clermont, Parking Lot Attendant, 2016, 22-10-2019 |
| Fabio Badolato & Jonny Costantino, Le Corbusier in Calabria, 2010, 5-10-2019 |
| Ignacio Tamarit, ¡Pífies!, 2016, 3-10-2019 |
| Luis Ospina, Self-portrait (Asleep), 1971, 2-10-2019 |
| Jonathan Schwartz, The Crack-Up, 2017, 1-10-2019 |
| Margaux Guillemard, 26 rue Saint-Fargeau, 2017, 14-9-2019 |
| Maxime Possek, Le ruisseau des Planches, 2018, 11-9-2019 |
| Eileen Maxson, CINDERELLA+++, 2002, 31-7-2019 |
| Albert Alcoz & Amanda de Pablo, Preludio, 2011, 20-7-2019 |
| Richard Kerr, Plein Air Etude, 1991, 18-7-2019 |
| Azucena Losana, Gardel, 2016, 10-7-2019 |
| Alberte Pagán, Bs. As., 2006, 8-7-2019 |
| Adrián Canoura, Salitre nas veas, 2017, 7-7-2019 |
| Jaione Camborda Coll, Proba de Axilidade, 2015, 6-7-2019 |
| Lois Patiño, Montaña en sombra, 2012, 5-7-2019 |
| Oliver Laxe, París #1, 2008, 4-7-2019 |
| Carla Andrade, Geometría de Ecos II, 2013, 3-7-2019 |
| Carla Andrade, Geometría de Ecos I, 2013, 2-7-2019 |
| Xurxo Chirro, Á luzada, 2012, 1-7-2019 |
| Diana Toucedo, Imágenes secretas, 2013, 30-6-2019 |
| Xisela Franco, Sculpture, 2014, 29-6-2019 |
| Tono Mejuto & Javier Martín, Quiasma, 2017, 28-6-2019 |
| Blue & Laura Kraning, Persistence of Vision, 2006, 17-6-2019 |
| Ilan Serruya, La Distancia Perdida, 2016, 13-6-2019 |
| Andrea Franco, En Ancón, 2012, 28-5-2019 |
| Jeremy Moss, In Marfa, 2015, 22-5-2019 |
| Roger Deutsch, Mario Makes a Movie, 1987-2004, 18-5-2019 |
| Roger Deutsch, Dead People, 1974-2005, 13-5-2019 |
| Peter Miller, A film that adds three minutes to your life, 2010, 30-4-2019 |
| Lynne Sachs, A Morning with Jack Waters, 2018, 21-4-2019 |
| Lynne Sachs, A Year in Notes and Numbers, 2017, 20-4-2019 |
| Lynne Sachs & Mark Street, Sound of a Shadow, 2011, 19-4-2019 |
| Lynne Sachs, Window Work, 2000, 18-4-2019 |
| Lynne Sachs, Following the Object to its Logical Beginning, 1987, 17-4-2019 |
| Lynne Sachs, Drawn & Quartered, 1987, 16-4-2019 |
| Lynne Sachs, Still Life with Women and Four Objects, 1986-87, 15-4-2019 |
| Barbara Meter, Kade, 2003, 29-3-2019 |
| Peter Miller, Polaroid Feedback, 2009, 27-3-2019 |
| Jesse McLean, Climbing, 2011, 25-3-2019 |
| Andrew Norman Wilson, A reason to wake up in the evening, 2015, 24-3-2019 |
| Carlos Casas, Bardo, 2010, 23-3-2019 |
| Maddi Barber, Secuencia_08, 2018, 22-3-2019 |
| Carlos Irijalba, Inercia, 2011-14, 21-3-2019 |
| Elena Duque, Pasatiempo, 2016, 20-3-2019 |
| Esther Urlus, Konrad & Kurfurst, 2013-14, 19-3-2019 |
| Silvia Rey, Saldremos de la crisis (pero habrá que sacrificar una generación), 2016, 18-3-2019 |
| Elisa Celda & Claudia Gracia, La ciudad adentro / The city inside, 2016, 16-3-2019 |
| Bill Brand, Split Decision, 1979, 12-3-2019 |
| Lynne Sachs, "Carolee, Barbara and Gunvor", 2018, 11-3-2019 |
| Coleen Fitzgibbon, Trip To Carolee, 1973-2011, 10-3-2019 |
| Fabrice Aragno & Groupe Char, Breath of white (La nuit respire), 2017, 9-3-2019 |
| Fabrice Aragno, Pris dans le tourbillon, 2013, 8-3-2019 |
| Fabrice Aragno, L'Invisible, 2015, 7-3-2019 |
| Fabrice Aragno, Cheminement dans l’Eclipse d’Antonioni, 2017, 6-3-2019 |
| Fabrice Aragno, Libre promenade dans le gai savoir, 2017, 5-3-2019 |
| Eric Theise, Hojas de Maíz, 2002, 28-2-2019 |
| Peter Tscherkassky, Outer Space, 1999, 26-2-2019 |
| Peter Miller & Alexander Stewart, Very similar to, 2009, 25-2-2019 |
| LJ Frezza, The Truth, 2017, 23-2-2019 |
| Tomonari Nishikawa, "Sound of a million insects, light of a thousand stars", 2014, 22-2-2019 |
| Madiha Aijaz, Veer Ras, 2015, 21-2-2019 |
| Alex Faoro, CODA MCMLXXXV, 2018, 20-2-2019 |
| Maxime Sabaté, Fragment, 2018, 19-2-2019 |
| Mauro Santini, Cosa che fugge, 2008, 16-2-2019 |
| Mauro Santini, Notturno, 2008, 14-2-2019 |
| Mauro Santini, Fermo del tempo, 2003, 12-2-2019 |
| Tobi Sauer, Portrait Jonas Mekas, 2017, 10-2-2019 |
| Katia Viscogliosi & Francis Magnenot, "Guardami, Aristote", 2009, 9-2-2019 |
| Maxime Possek, Le Boulevard des Allongés, 2018, 8-2-2019 |
| Maxime Possek, Aiguille de Mesure, 2018, 7-2-2019 |
| Maxime Possek, Diaphane, 2018, 6-2-2019 |
| Tânia Dinis, Arco da velha, 2015, 31-1-2019 |
| Moira Lacowicz, Let's Take A Walk, 2018, 30-1-2019 |
| Erica Sheu, A Short History, 2017, 29-1-2019 |
| Joseph Bernard, Splices for Sharits, 1980, 28-1-2019 |
| Chris Gallagher, Mirage, 1983, 27-1-2019 |
| Claudio Caldini, Ofrenda, 1978-90, 26-1-2019 |
| Stephen Broomer, The Bow and The Cloud, 2016, 25-1-2019 |
| Alberte Pagan, Uluru, 2018, 24-1-2019 |
| Jan Swinburne, If then, 2014, 23-1-2019 |
| Jorge Lorenzo, On the Road by Jack Kerouac, 2013, 22-1-2019 |
| Olivier Cheval, The Museum is free, 2015, 21-1-2019 |
| Karen & Jaimz Asmundson, MINOTAVR, 2014, 20-1-2019 |
| Chiara Caterina & Nicola Di Croce, Il mondo di sotto, 2017, 19-1-2019 |
| Taiyo Onorato & Nico Krebs, Fire, 2014, 18-1-2019 |
| Giuseppe Spina, Impressio in-urbe (Bologna), 2017, 17-1-2019 |
| Clio Simon, Le Bruissement de la Parole, 2013, 16-1-2019 |
| Alex Faoro, The Melody of Decomposition, 2018, 15-1-2019 |
| Brigid McCaffrey, Castaic Lake, 2010, 14-1-2019 |
| Bill Brown, Roswell, 1994, 13-1-2019 |
| Flavia Contreras, Adiós Augusto Allende, 2015, 12-1-2019 |
| Flavia Contreras, Lobelia, 2017, 11-1-2019 |
| Matthew Neary, Uptown, 2013, 10-1-2019 |
| Matthew Neary, El lecho que compartimos, 2017, 9-1-2019 |
| Leslie Supnet, In Still Time, 2015, 8-1-2019 |
| Ann Steuernagel, Charades, 2009, 7-1-2019 |
| Fabio Scacchioli & Vincenzo Core, Scherzo, 2015, 6-1-2019 |
| Dalibor Barić, You Who Exist Only in the Darkest..., 2010, 5-1-2019 |
| Elena Pardo, Mi Barrio, 2009, 4-1-2019 |
| Jean-Jacques Martinod, Grabados del Ojo Nocturno, 2016, 3-1-2019 |
| Duo Strangloscope, Sólo un poco aquí, 2018, 2-1-2019 |
| Cristiana Miranda, Sobre Aquilo Que Nos Diz Respeito, 2016, 1-1-2019 |
| Brian Wilson, Morning Mass, 2015, 24-12-2018 |
| Thomas Draschan, Wotruba, 2014, 16-12-2018 |
| Brian Wilson, Full Bloom, 2016, 14-12-2018 |
| Palefroi, L’étoile qui dévore les planètes, 2018, 13-12-2018 |
| Gary Hill, Electronic Linguistic, 1977, 11-12-2018 |
| Stephen Broomer, Fountains of Paris, 2018, 7-12-2018 |
| Elisa Celda, Viewer and viewed, 2018, 6-12-2018 |
| Dominic Angerame, Consume, 2003, 5-12-2018 |
| Daniel Barnett, The Chinese Typewriter, 1978-83, 4-12-2018 |
| Jon Rafman, A Man Digging, 2013, 24-11-2018 |
| Paul Kuimet, Still Life, 2016, 23-11-2018 |
| Gonzalo Egurza, Diario 2012-2015, 2015, 22-11-2018 |
| Elsa Brès, Atmosphere / 2C, 2015, 21-11-2018 |
| Michael Woods, Surr-Urban-ism, 2011, 20-11-2018 |
| Ignazio Fabio Mazzola, BB, 2017, 19-11-2018 |
| Kim Kielhofner, Sailor’s Diary, 2012, 18-11-2018 |
| João Maria Gusmão + Pedro Paiva, Sleeping Flamingo, 2018, 17-11-2018 |
| Noriyuki Suzuki, A history dreams, 2018, 15-11-2018 |
| Christopher Becks & Emmanuel Lefrant, I don’t think I can see an island, 2016, 1-11-2018 |
| Jon Rafman, Codes of Honor, 2011, 30-10-2018 |
| Kelly Gallagher, Pearl Pistols, 2014, 29-10-2018 |
| Taiyo Onorato & Nico Krebs, Wrestlers, 2015, 28-10-2018 |
| Minjung Kim, Footage, 2015, 27-10-2018 |
| Izabella Pruska-Oldenhof, Font Màgica, 2015, 26-10-2018 |
| Mike Cartmell, Cartouche, 1985, 25-10-2018 |
| Anne Perier, Atelier à 721 mètres, 2017, 24-10-2018 |
| Eva Marie Rødbro, I Touched Her Legs, 2010, 23-10-2018 |
| Margaret Rorison, Sympathetic Bodies, 2018, 22-10-2018 |
| Fern Silva, Wayward Fronds, 2014, 20-10-2018 |
| Jonathan Schwartz, An aging process, 2014, 19-10-2018 |
| Greta Snider, Futility, 1989, 17-10-2018 |
| Josh Lewis, Doubt #2, 2013, 16-10-2018 |
| Jacques Perconte, Vingt neuf minutes en mer, 2016, 3-10-2018 |
| Paul Kuimet, Golden Home, 2017, 27-9-2018 |
| Joe Stevens, Reinventing the landscape, 2012, 26-9-2018 |
| Julien Hairon, REAK - Transe Chamanique Soundanaise, 2016, 23-9-2018 |
| Michael Woods, Dailies from the USA, 2017, 22-9-2018 |
| Paul Kuimet, Exposure, 2016, 21-9-2018 |
| Leandro Varela, Movimiento Browniano, 2016, 20-9-2018 |
| Eric Stewart, Samhain, 2012, 19-9-2018 |
| Elsa Brès, Oberlus, 2018, 18-9-2018 |
| Roee Rosen, Screensaver, 2016, 17-9-2018 |
| Robert Todd, Daylight Exhibitions, 2016, 10-9-2018 |
| Robert Todd, Seawall, 2013, 9-9-2018 |
| Robert Todd, Mosaic do Porto, 2012, 8-9-2018 |
| Robert Todd & Michael Dwyer, Watch, 2003, 7-9-2018 |
| Robert Todd, Clam up, 2002, 6-9-2018 |
| Robert Todd, Bird Blinds, 2018, 5-9-2018 |
| Robert Todd, Exile, 2017, 4-9-2018 |
| Robert Todd, Spirit House, 2008, 3-9-2018 |
| Robert Todd, Clip, 2001, 2-9-2018 |
| Robert Todd, Wait, 2000, 1-9-2018 |
| Robert Todd, Restless, 2016, 19-8-2018 |
| Ken Kobland, Frame, 1976, 31-7-2018 |
| Marto Alvarez, Puertas, 2016, 29-7-2018 |
| Mike Rollo, Au bord de la rivière, 2014, 28-7-2018 |
| Benjamin Ellenberger, Delta, 2013, 27-7-2018 |
| Olivier Dekegel, Rond est le monde, 2013, 26-7-2018 |
| Nick Collins, At Pont du Tarn, 2012, 25-7-2018 |
| Larissa Fan, In the Garden, 2003, 24-7-2018 |
| Robert Withers, Chemical Wedding, 1976, 23-7-2018 |
| Julio Fermepin, Reflexiones, 2009, 21-7-2018 |
| Julio Fermepin, Hornaditas, 2007-14, 20-7-2018 |
| Zahid Jiwa, Sky Limousine, 2012, 13-7-2018 |
| Zahid Jiwa, Oasis of Mirrors, 2013, 11-7-2018 |
| Zahid Jiwa, Oasis of Murals, 2013, 9-7-2018 |
| Zahid Jiwa, Canto Arquipélago, 2012, 6-7-2018 |
| Maria Magnusson, Abstracto, 2018, 3-7-2018 |
| Ernesto Baca, Bhakti, 2018, 2-7-2018 |
| Saul Levine, LIGHT LICKS: AMEN, 2017, 27-6-2018 |
| Kelly Sears, The Drift, 2007, 26-6-2018 |
| Mary Helena Clark, Sound over water, 2009, 25-6-2018 |
| Philip Hoffman, Kokoro is for Heart, 1999, 24-6-2018 |
| Minjung Kim, Count footage, 2016, 23-6-2018 |
| Lichun Tseng, Xun, 2017, 22-6-2018 |
| Maurizio Mercuri, Filmmembrana, 2008, 21-6-2018 |
| Tomonari Nishikawa, Market Street, 2005, 19-6-2018 |
| Taiyo Onorato & Nico Krebs, White City Drive, 2015, 18-6-2018 |
| Thomas Renoldner, How to do a Trickfilm, 1985, 17-6-2018 |
| Thomas Kyhn Rovsing Hjørnet, Disciplin og fylogenese, 2014, 16-6-2018 |
| Edward Ramsay-Morin, Found Footage Loop #1, 2017, 14-6-2018 |
| Minjung Kim, Australian Paper, 2015, 13-6-2018 |
| Samira Guadagnuolo, Yellow mane, 2018, 12-6-2018 |
| Eric Stewart, Harbour, 2016, 11-6-2018 |
| Scott Fitzpatrick, Straight Lines (for RV), 2015, 10-6-2018 |
| Jack Waters, Berlin / New York, 1984-86, 9-6-2018 |
| Graeme Arnfield, Sitting in darkness, 2015, 7-6-2018 |
| M.M. Serra, Eye Etc., 1981, 6-6-2018 |
| Nick Collins, Mimente, 2008, 5-6-2018 |
| Taiyo Onorato & Nico Krebs, Faces, 2015, 1-6-2018 |
| Louis Henderson, A Video by Marcel Broodthaers, 2010, 31-5-2018 |
| Rainer Kohlberger & Wilm Thoben, White Light / White Heat, 2011, 30-5-2018 |
| Azucena Losana, Karl-Marx-Allee, 2015, 29-5-2018 |
| Merijn Hos, Sun Sun Sun, 2017, 28-5-2018 |
| Saul Levine, AS IS WAS, 1992-95, 23-5-2018 |
| Phil Solomon, Stan Brakhage exits the cinema and enters the Light of Day, 2002, 22-5-2018 |
| Caspar Stracke, And How Godmilow Expanded It, 2015, 14-5-2018 |
| Helen Petts, Two Figures in a Vortex, 2009, 11-5-2018 |
| Helen Petts, Ute on the Marshes, 2012, 10-5-2018 |
| Helen Petts, Bass, 2010, 9-5-2018 |
| Helen Petts, The Cutty Wren, 2010, 8-5-2018 |
| Helen Petts, Akio Suzuki, 2010, 7-5-2018 |
| Brian L. Frye, Meeting With Khrushchev, 1997, 4-5-2018 |
| Kim Kielhofner, Rehearsal, 2012, 2-5-2018 |
| Anna Thew, FRAGMENTS FOR EYE DRIFT, 2005, 30-4-2018 |
| Dana Berman Duff, Catalogue, 2014, 26-4-2018 |
| Simon Liu, Afternoon In, 2014, 25-4-2018 |
| Fiorella Mariani, HOMO SAPIENS, 1971-74, 24-4-2018 |
| Stephen Connolly, The Whale, 2003, 20-4-2018 |
| Stephen Connolly, Great American Desert, 2007, 19-4-2018 |
| Stephen Connolly, Film For Tom, 2005, 17-4-2018 |
| Stephen Connolly, The Reading Room, 2002, 16-4-2018 |
| Stephen Connolly, Más Se Perdió (We Lost More), 2009, 12-4-2018 |
| Taiyo Onorato & Nico Krebs, Zaha Drive, 2015, 11-4-2018 |
| Rhayne Vermette, Les Châssis de Lourdes, 2016, 10-4-2018 |
| Andrés Denegri, Aula Magna, 2013, 9-4-2018 |
| Josephine Sedgwick, Nomadic Architecture, 2012, 5-4-2018 |
| Eva Kolcze, All That Is Solid, 2014, 4-4-2018 |
| Tinne Zenner, Sleeping District, 2014, 3-4-2018 |
| Manuel DeLanda, Fractured Landscapes, 2014, 2-4-2018 |
| Saul Levine, NOTES AFTER LONG SILENCE, 1989, 31-3-2018 |
| Douglas Urbank, Migration, 2011, 19-3-2018 |
| Sam Hoolihan, Lakewood, 2014, 18-3-2018 |
| Robert Todd, Antechamber, 2008, 17-3-2018 |
| Nazlı Dinçel, Reframe, 2009, 16-3-2018 |
| Brian Smee, Big Surf, 2017, 14-3-2018 |
| Christopher Becks & Peter Miller, Ritournelle, 2012, 13-3-2018 |
| Gary Hill, Equal Time, 1979, 12-3-2018 |
| Nazlı Dinçel, Interval, 2011, 9-3-2018 |
| Mary Helena Clark, The Plant, 2012, 8-3-2018 |
| Robert Todd, Dig, 2007, 7-3-2018 |
| Francis Alÿs, Paradox of Praxis 1: Sometimes Making Something Leads to Nothing, 1997, 6-3-2018 |
| Karel Doing, Human Rights, 1990, 5-3-2018 |
| Coleen Fitzgibbon, TIME, 1975, 3-3-2018 |
| Myron Ort, Phantom Ore, n.d., 2-3-2018 |
| Scott Stark, Degrees of Limitation, 1982, 1-3-2018 |
| Greta Snider, The Magic of Radio, 2001, 27-2-2018 |
| Solomon Nagler, Notes on gesture, 2007, 26-2-2018 |
| Albert Alcoz, Espectro cromático, 2015, 17-2-2018 |
| Leslie Supnet, Second Sun, 2014, 16-2-2018 |
| João Maria Gusmão + Pedro Paiva, Spaghetti Tornado, 2010, 15-2-2018 |
| Michael Fleming, The Garden of Delight, 2017, 14-2-2018 |
| Karissa Hahn & Andrew Kim, (I) FRAME, 2016, 13-2-2018 |
| Palefroi, Lueur d'espoir, 2018, 12-2-2018 |
| Zahid Jiwa, As Falésias, 2013, 8-2-2018 |
| Chloé Galibert-Laîné & Kevin B. Lee, Reading // Binging // Benning, 2018, 7-2-2018 |
| Peter Burr & Alexandra Grote, NEMATODES, 2017, 6-2-2018 |
| Paul Clipson, Tenderness, 2017, 5-2-2018 |
| Mike Hoolboom, Frank's Cock, 1993, 29-1-2018 |
| Philippe Cote, Ether, 2003, 27-1-2018 |
| Sam Hoolihan, Summer Elsewhere, 2012, 26-1-2018 |
| Lichun Tseng, Lang, 2017, 25-1-2018 |
| Simon Liu, Donkey Riding, 2015, 24-1-2018 |
| Anthony Discenza, Dream Home, 2007, 23-1-2018 |
| Jennifer Saparzadeh, Autoportrait, 2012, 22-1-2018 |
| Rebecca Digne, Rouge, 2014, 20-1-2018 |
| Vin Grabill, Muntadas Centertape Portrait, 1980, 19-1-2018 |
| Hannah Frank, Ken Burns Jacobs, 2011, 18-1-2018 |
| Ernesto Baca, Oscuridad sin fin, 2015, 17-1-2018 |
| Jes Benstock & Luke Losey, The Box, 1996, 16-1-2018 |
| Vin Grabill, Portrait of Aldo Tambellini, 1980, 15-1-2018 |
| Zahid Jiwa, Room, 2014, 12-1-2018 |
| Pablo Marín, TM, 2008, 11-1-2018 |
| Dan Browne, Gulf, 2016, 10-1-2018 |
| Nick Collins, Hammam, 2018, 9-1-2018 |
| LJ Frezza, The Neutral Zone, 2015, 8-1-2018 |
| Saul Levine, LIGHT LICK:PARDES:WILD BLUE YONDER, 2015, 6-1-2018 |
| Elena Duque, Postales, 2016, 5-1-2018 |
| Gary Hill, Videograms, 1980-81, 4-1-2018 |
| Douglas Urbank, Raptors, 2013, 3-1-2018 |
| Erik Blinderman & Lisa Rave, Rocco, 2013, 29-12-2017 |
| Ignacio Tamarit, Canción para Victoria, 2014, 19-12-2017 |
| Kristen Roos, dp IV, 2017, 16-12-2017 |
| Manfred Mohr, Complementary Cubes, 1973-74, 15-12-2017 |
| Kristen Roos, Cube trio, 2017, 14-12-2017 |
| Manfred Mohr, Cube Transformation Study, 1972, 13-12-2017 |
| Kristen Roos, Cube cluster, 2017, 12-12-2017 |
| Manfred Mohr, Cubic Limit, 1973-74, 11-12-2017 |
| Mark Loeser, Sugar Beach, 2011, 10-12-2017 |
| Clint Enns, All My Life (After Baillie), 2016, 9-12-2017 |
| Ross Meckfessel, Cheryl, 2011, 8-12-2017 |
| Stom Sogo, Ya Private Sky, 2001, 7-12-2017 |
| Erik Blinderman & Lisa Rave, Bar Del Ponte, 2013, 6-12-2017 |
| Azucena Losana, At Your Heels, 2017, 5-12-2017 |
| Charles-André Coderre, H2T, 2014, 4-12-2017 |
| Tomonari Nishikawa, Shibuya - Tokyo, 2010, 3-12-2017 |
| Manuel DeLanda, Harmful or Fatal If Swallowed, 1982, 2-12-2017 |
| Samira Guadagnuolo, Britomarti, 2017, 1-12-2017 |
| Aaron Zeghers, Everything Turns..., 2016, 30-11-2017 |
| Mike Hoolboom, Colour My World, 2017, 29-11-2017 |
| Erik Bullot, L’Attraction universelle, 2000, 28-11-2017 |
| Gautam Valluri, The Museum of Departures, 2015, 27-11-2017 |
| Willie Varela, Fearless Leader, 1985, 26-11-2017 |
| João Maria Gusmão + Pedro Paiva, Ventriloquism, 2009, 25-11-2017 |
| Mary Beth Reed, Moon Streams, 2000, 24-11-2017 |
| Fern Silva, Peril of the Antilles, 2011, 23-11-2017 |
| Józef Robakowski, Taniec z drzewami, 1985, 22-11-2017 |
| M.M. Serra, Framed, 1984, 21-11-2017 |
| Jaione Camborda Coll, Lilit, 2015, 20-11-2017 |
| Karl Lemieux, Mouvement de Lumière, 2004, 19-11-2017 |
| Hattie Ball, A Teleoperated Lesson in Physiography, 2014, 18-11-2017 |
| Albert Alcoz, Definición, 2013, 17-11-2017 |
| M.M. Serra, NYC, 1986, 16-11-2017 |
| OJOBOCA, Plant growth, 2013, 15-11-2017 |
| Robert Darroll, Feng Huang, 1988, 14-11-2017 |
| Rhayne Vermette, Turin, 2015, 13-11-2017 |
| Jaione Camborda Coll, Nimbos, 2015, 12-11-2017 |
| Zachary Finkelstein, How She Sees What She Sees, 2012, 11-11-2017 |
| Jordan Wong, "Don’t Worry, I’ll Do It", 2014, 10-11-2017 |
| Basma Alsharif, Renée's Room, 2015, 9-11-2017 |
| Stephen Broomer, Carousel Study, 2016, 8-11-2017 |
| Diana Toucedo, Borders in a single shot: after Farocki (I), 2017, 7-11-2017 |
| Jenni Olson, 575 Castro St., 2008, 6-11-2017 |
| Michael Patterson, Commuter, 1981, 5-11-2017 |
| Karel Doing, Rotation, 1996, 4-11-2017 |
| Kristen Roos, Amiga abstractions II, 2017, 3-11-2017 |
| Kristen Roos, Amiga abstractions I, 2017, 2-11-2017 |
| Stephen Connolly, UFO FIlm, 1996, 1-11-2017 |
| Robert Todd, Flowerbed, 2017, 31-10-2017 |
| Mila Severtseva, Warmth of your body can save me, 2016, 30-10-2017 |
| Skip Battaglia, How the Frog’s Eye Sees, 1984, 29-10-2017 |
| Jordan Baseman, Little Boy, 2014-16, 28-10-2017 |
| Nora Rodriguez, Animation that Makes a Sculpture, 2016, 27-10-2017 |
| Catherine Anyango Grünewald, Hysteria, 2012, 26-10-2017 |
| Ben Balcom, Array, 2013, 25-10-2017 |
| Karen Yasinsky, This room is white, 2011, 24-10-2017 |
| Peter Larsson, Other Rooms, 2012, 23-10-2017 |
| Ugo La Pietra & Davide Mosconi, La Grande Occasione, 1973, 9-10-2017 |
| Lynne Sachs, Day Residue, 2016, 8-10-2017 |
| M.M. Serra, Turner, 1987, 7-10-2017 |
| Manuel DeLanda, ISMISM 1979, 1979, 6-10-2017 |
| Hsu Tsen-Chu, Reflect, 2010, 5-10-2017 |
| Nick Collins, Near Loutra Iraias, 2012, 4-10-2017 |
| Tomonari Nishikawa, Ten Mornings Ten Evenings and One Horizon, 2016, 3-10-2017 |
| Aurélie Percevault & Antoine Ledroit, Sillages #2, 2014, 2-10-2017 |
| Eva Kolcze, Badlands, 2013, 1-10-2017 |
| Thorsten Fleisch, Kosmos, 2004, 30-9-2017 |
| Lauren Cook, Trans/Figure/Ground, 2016, 29-9-2017 |
| Julio Fermepin, Welder, 2016, 28-9-2017 |
| Willie Varela, A Neon Crescent, 1976, 27-9-2017 |
| Tobi Sauer, Portrait Wang Bing, 2017, 26-9-2017 |
| The Smyth Brothers, News from the Sun, 2016, 25-9-2017 |
| Alexander Stewart, 100 Foot Ride, 2010, 24-9-2017 |
| Colectivo Los Ingrávidos, Piedra de Sol, 2017, 23-9-2017 |
| Sebastian Wiedemann, Abismo, 2012, 22-9-2017 |
| João Maria Gusmão + Pedro Paiva, The Human Torch, 2007, 21-9-2017 |
| Lois Patiño, Paisaje - Distancia. Campo de fútbol, 2011, 20-9-2017 |
| Duo Strangloscope, Nuclear emulsion, 2013, 19-9-2017 |
| Noriyuki Suzuki, Journal(ism), 2015, 18-9-2017 |
| Robert Todd, Luca's dock, 2016, 17-9-2017 |
| Willie Varela, The Last Look, 1981, 16-9-2017 |
| Paul Clipson, Spectral Ascension, 2017, 15-9-2017 |
| Christopher Becks, Parallax, 2008, 14-9-2017 |
| Józef Robakowski, Chodź do mnie, 1989-90, 13-9-2017 |
| Jan Otto Ertesvåg, Surge, 1996, 12-9-2017 |
| M.M. Serra, Nightfall, 1984, 11-9-2017 |
| Brian L. Frye, Encomium, 2003, 10-9-2017 |
| Saul Levine, Note to Colleen, 1974, 9-9-2017 |
| Lynne Sachs, A Morning with Barbara Hammer and Florrie Burke, 2017, 8-9-2017 |
| Ross Meckfessel, Invocation of Uzi, 2014, 7-9-2017 |
| Anna Thew, Temenos 2016, 2016, 6-9-2017 |
| Tobi Sauer, Portrait Ben Russell, 2017, 5-9-2017 |
| Willie Varela, Stan & Jane Brakhage, 1981, 4-9-2017 |
| Annapurna Kumar, Gray Hairs, 2015, 3-9-2017 |
| Mauricio Freyre, Set Out 1, 2015, 2-9-2017 |
| M.M. Serra, PPII, 1986, 1-9-2017 |
| Bruno Goosse, EXIT, 2011, 2-6-2017 |
| Kyath Battie, Storm, 2011, 1-6-2017 |
| Olivier Dekegel, Portrait Series - Jonas Mekas, 2010, 31-5-2017 |
| The Smyth Brothers, Death Songs & Car Bombs, 2013, 30-5-2017 |
| Basma Alsharif, Deep Sleep, 2014, 29-5-2017 |
| Mary Helena Clark, After Writing, 2008, 28-5-2017 |
| Eve Heller, Her Glacial Speed, 2001, 27-5-2017 |
| Barbara Meter, Convalescing, 2000, 26-5-2017 |
| João Maria Gusmão + Pedro Paiva, Water mill, 2012, 25-5-2017 |
| Julio Fermepin, Esperita, 2016, 24-5-2017 |
| Ross Meckfessel, Untitled (I), 2011-12, 23-5-2017 |
| Alix Wagner-Bernier, Interior Space, 2013, 22-5-2017 |
| Lauren Cook, Altitude Zero, 2004, 21-5-2017 |
| Ugo La Pietra, Per oggi basta!, 1974, 20-5-2017 |
| Lois Patiño, Paisaje - Duración. Carretera, 2012, 19-5-2017 |
| Margaret Rorison, Scansion, 2012, 18-5-2017 |
| Mariya Nikiforova, Ward’s Pond, 2009, 17-5-2017 |
| Jonathan Gillie, Austerity Cycle, 2016, 16-5-2017 |
| Karen Yasinsky, "Life is an Opinion, Fire a Fact", 2012, 15-5-2017 |
| Józef Robakowski, Prostokąt dynamiczny, 1971-72, 14-5-2017 |
| Guy Maddin, Night Mayor, 2009, 13-5-2017 |
| Karolina Glusiec, Velocity, 2012, 12-5-2017 |
| Coleen Fitzgibbon, FM/TRCS, 1974, 11-5-2017 |
| Josh Lewis, Pillager, 2011, 10-5-2017 |
| Jake Fried, Waiting Room, 2012, 9-5-2017 |
| Barbara Meter, Portraits, 1972, 8-5-2017 |
| Ben Russell, River Rites, 2011, 7-5-2017 |
| Bruno Goosse, Panoramicma(c), 2016, 6-5-2017 |
| Tomonari Nishikawa, 16-18-4, 2008, 5-5-2017 |
| Scott Fitzpatrick, Screen Test 1 (self-portrait), 2015, 4-5-2017 |
| Colectivo Los Ingrávidos, Conflagración, 2017, 3-5-2017 |
| Sophie Clements, How We Fall, 2017, 2-5-2017 |
| Brian Wilson, Flown, 2017, 1-5-2017 |
| _blank, f # 3, 2011, 30-4-2017 |
| Gerard Bosch, 2:22, 2009, 29-4-2017 |
| Matthew Armitage, BUS, 2015, 28-4-2017 |
| Mark Matthews / 40 Watt Films, Letcetera, 1990, 27-4-2017 |
| Joe Stevens, Shallow water, 2012, 26-4-2017 |
| _blank, 55342113853211, 2014, 25-4-2017 |
| Józef Robakowski, Gnuśna linia, 1992, 24-4-2017 |
| Paul Clipson, Love After Love, 2014, 23-4-2017 |
| Chris Gallagher, Atmosphere, 1976, 22-4-2017 |
| Leighton Pierce, The Back Steps, 2001, 21-4-2017 |
| Lilli Carré & Alexander Stewart, Crux Film, 2013, 20-4-2017 |
| Semiconductor, 20 Hz, 2011, 19-4-2017 |
| Hector Castells-Matutano, Lost Ground, 2016, 18-4-2017 |
| Stephen Broomer, Gulls at Gibraltar, 2015, 17-4-2017 |
| Mary Helena Clark, The Dragon is the Frame, 2014, 16-4-2017 |
| Arthur Lipsett, A Trip Down Memory Lane, 1965, 15-4-2017 |
| Thorsten Fleisch, Energie!, 2007, 14-4-2017 |
| João Maria Gusmão + Pedro Paiva, Sleeping in a bullet train, 2015, 13-4-2017 |
| Robert Todd, Winter's Dawn, 2016, 12-4-2017 |
| Ben Russell, Let Us Persevere In What We Have Resolved Before We Forget, 2013, 11-4-2017 |
| Sabine Gruffat, A Return to The Return to Reason, 2014, 10-4-2017 |
| Jacques Perconte, Árvore Da Vida, 2013, 9-4-2017 |
| Margaret Rorison, Pull/Drift, 2013, 8-4-2017 |
| Leighton Pierce, He Likes to Chop Down Trees, 1980, 7-4-2017 |
| Julio Fermepin, Urano, 2016, 6-4-2017 |
| Jacob Nelson, untitled (Forest Entrance) or through the brush, 2015, 5-4-2017 |
| Daniel Steegmann Mangrané, Spiral Forest, 2013-15, 4-4-2017 |
| Patrick Müller, This is what you shall do, 2017, 3-4-2017 |
| Distruktur, ÉTERNAU, 2006, 2-4-2017 |
| Alexi Manis, Shutter, 2009, 1-4-2017 |
| Leslie Supnet, Smoke, 2014, 31-3-2017 |
| Alexander Stewart, Xerox CMYK Color Separation Test, 2011, 30-3-2017 |
| Guillaume Cailleau & Ben Russell, Austerity Measures, 2011, 29-3-2017 |
| Dan Browne, Seasons: Fall, 2016, 28-3-2017 |
| Barbara Meter, Little Stabs, 2012, 27-3-2017 |
| Tinne Zenner, Porosité, 2014-15, 26-3-2017 |
| Scott Fitzpatrick, Stories Houses Tell, 2014, 25-3-2017 |
| Karen Mirza & Brad Butler, The Space Between, 2005, 24-3-2017 |
| Paul Clipson, Lighthouse, 2015, 23-3-2017 |
| Stephen Broomer, Mills, 2016, 22-3-2017 |
| Eva Kolcze, Modern Island, 2012, 21-3-2017 |
| Mike Stoltz, In Between, 2010, 20-3-2017 |
| O Divino, Crapola, 2015, 19-3-2017 |
| João Maria Gusmão + Pedro Paiva, Pot Smaller than Pot, 2010, 18-3-2017 |
| Scott Fitzpatrick, La Salle Hotel, 2011, 17-3-2017 |
| Jo Dery, Scream Tone, 2004, 16-3-2017 |
| Robert Todd, Doppler Shifts, 2016, 15-3-2017 |
| Lauren Cook, PXXXL, 2012, 14-3-2017 |
| Coleen Fitzgibbon, Found Film Flashes, 1973, 13-3-2017 |
| Leighton Pierce, Barbara Hammer Lends a Hand, 2012, 12-3-2017 |
| Carlos Dominguez, Check, 2013, 11-3-2017 |
| Jodie Mack, Persian Pickles, 2012, 10-3-2017 |
| Edwin Rostron, Of Unknown Origin, 2010, 9-3-2017 |
| Tomonari Nishikawa, Apollo, 2003, 8-3-2017 |
| Chuck Hudina, In The City, 2006, 7-3-2017 |
| Christine Lucy Latimer, Still Feeling Blue About Colour Separation, 2015, 6-3-2017 |
| Arthur Lipsett, "Very Nice, Very Nice", 1961, 4-3-2017 |
| Leandro Varela, La Costante di Archimede, 2012, 3-3-2017 |
| Margaret Rorison, Der Spaziergang, 2013, 2-3-2017 |
| Karen Yasinsky, Audition, 2010, 1-3-2017 |
| João Maria Gusmão + Pedro Paiva, Colombo's Column, 2006, 28-2-2017 |
| Alexander Stewart, Iceland Spar, 2009, 14-2-2017 |
| Francis Alÿs, Cuentos patrióticos, 1997, 13-2-2017 |
| Edwin Rostron, Cul-de-sac of Mortality, 2012, 7-2-2017 |
| Gustavo Beck, O Inverno de Željka, 2012, 6-2-2017 |
| Saul Levine, SHMATEH III, 1984, 5-2-2017 |
| Ben Russell, Trypps #7 (Badlands), 2010, 4-2-2017 |
| João Maria Gusmão + Pedro Paiva, "Solar, the blindman eating a papaya", 2011, 3-2-2017 |
| Leandro Varela, Self Portrait, 2015, 2-2-2017 |
| Pierre Voland, Autoportrait, 2016, 1-2-2017 |
| Norman McLaren, Synchromy, 1971, 30-1-2017 |
| Alexander Stewart, 100 Foot Pull, 2010, 29-1-2017 |
| João Maria Gusmão + Pedro Paiva, Wheels, 2011, 23-1-2017 |
| Semiconductor, Black Rain, 2009, 20-1-2017 |
| Dan Browne, Field, 2016, 20-1-2017 |
| Leighton Pierce, 37th & Lex, 2002, 19-1-2017 |
| Stephen Broomer, Christ Church - Saint James, 2011, 17-1-2017 |
| Perrine Lacroix, Winfried, 2014, 15-1-2017 |
| Jacques Perconte, Après le feu, 2010, 14-1-2017 |
| Robert Todd, Physical Responses, 2016, 13-1-2017 |
| Spencer Neale, American Watercolors, 2013, 7-1-2017 |
| Ange Leccia, La Mer, 2012, 3-1-2017 |
| Paul Clipson, Feeler, 2016, 2-1-2017 |
| Ben Russell, Atlantis, 2014, 31-12-2016 |
| Dariusz Kowalski, Ortem, 2004, 29-12-2016 |
| Daniel Steegmann Mangrané, 16mm, 2008-11, 28-12-2016 |
| Arthur Lipsett, Free Fall, 1964, 27-12-2016 |
| Chris Gallagher, Seeing in the Rain, 1981, 26-12-2016 |
| Alexander Stewart, Errata. A compendium of errors, 2005, 24-12-2016 |
| João Maria Gusmão + Pedro Paiva, Getting into bed, 2011, 24-12-2016 |
| Marcin Gizycki, Kinefaktura, 2012, 24-12-2016 |
| Mary Helena Clark, Orpheus (outtakes), 2012, 24-12-2016 |
| Mary Helena Clark, Palms, 2015, 24-12-2016 |